Never work with children or animals... easier said than done when you're a parent. Over the last few years I have tried many times to get the perfect photograph. With one child, trial and error often results in an image you are happy with. And with the advent of the digital camera, dud photos are a thing of the past. However, with three children, I've finally realised it's not possible to get the perfect picture, even with the help of a professional photographer!
I recently enlisted the help of such a man for the all-important christening photos. All dressed up and looking the picture of perfection, my husband and I set off with our adorable little troop to the studio!
Upon arrival our eldest took off upstairs with his eldest, our middle one trailing behind.
The baby then decided he absolutely had to be fed! As a breastfeeding mum it was no mean feat undoing my not very practical top to quite literally feed his demand! Eyes averted and a hastily placed teacloth spared some blushes, as we all waited until baby had his fill.
Finally, everyone gathered together, we were ushered into the studio, only for our eldest daughter to put on a display worthy of a two year old - and she is six! Tempers fraying we waited, coaxed and encouraged her to act her age!
Needless to say the session ran into overtime, the photos were hastily shot and as we left we vowed never to put ourselves or any photographer through such an ordeal again!
They say every picture tells a story. We received our pictures with trepidation. Amazingly the photographer had captured some wonderful angelic moments - although we still have some trouble believing the children in the pictures are ours. Maybe some new photographic wizardry replaced sullen angry little people with little shiny happy people.
However it happened, neither of us can look at the pictures without being transported right back to the stress of the day itself.
And so the beautiful photographs languish at the back of the wardrobe until such a time as we can laugh about the situation and our own naivety as parents. We thought it would be easy...
Wednesday, 21 April 2010
A Peek Through Heroes: When Drama Meets Science Fiction
One of the most top-rated television shows currently on air would be Heroes, a sci-fi series created by Tim Kring. It is an epic drama that shares the lives of seemingly ordinary people who later discovers that they possess extraordinary abilities. This TV series somewhat copies the style of American comic books in aesthetic as well as storytelling. The shows starts with a genetic professor from India, Dr. Mohinder Suresh and his father's theory that there are people with extraordinary abilities living among us humans. Starting with Claire Bennet, an indestructible cheerleader who needs to hide her abilities from her peers while working to maintain her relationship with her father, a man of mystery who has a keen interest in people like her. Niki Sanders, a Las Vegas single mother with superb strength and has a dangerous mirror image struggles to support and protect her young son Micah, a genius who can interact with electronic machinery through touch. Matt Parkman, a police detective from Los Angeles, attempts to put his ability to hear thoughts of others to good use. Meanwhile, in Japan, Hiro Nakamura's ability to travel through space-time continuum has empowered him to change the future as he travels on wild adventures with his best friend Ando Masahashi. Nathan Petrelli, with a congressional position, has the ability to fly. His dreams went down after failing to stop his younger brother Peter Petrelli, a nurse with the ability to absorb the powers of others, from exploding over New York. After this clash in New York, the fate of Sylar, a manipulative serial killer dedicated to violently collect the extraordinary powers of special people, is unknown. Meanwhile, in Dominican Republic, a young woman named Mava Herrera and her twin brother, haunted by her threatening ability, attempts to make the dangerous cross to the United States in search for answers. Monica Dawson, cousin of Micah, has mimicking abilities and would give up everything to help the people around her.
Every episode shows how these people deal with their powers and how they are somewhat interconnected. Every person has their own lifestyle, making the series much more realistic. It shows different ways of living in different countries, only to find out that they have supernatural powers. These characters offer a wide range of relationships, and are inclined to self-destruction. Of course, they fear what other people might say, and fear not knowing exactly what they could do with their powers. The show offers a life drama that everyone could easily relate to, plus a twist of extraordinary powers. In season one of this series, they gave us an introduction of how these special people become connected by their unique and special abilities. It gave us an overview of these characters and their unique abilities, and how others try to manipulate these powers in a bad way.
Season two is still on and is focused on introducing new sets of characters, also with unique abilities as well. Many people all over the world have been constantly raving about this series, proving its success and good ratings. With each episode, they consistently show us different stories of different people with only one goal: to save the world.
Every episode shows how these people deal with their powers and how they are somewhat interconnected. Every person has their own lifestyle, making the series much more realistic. It shows different ways of living in different countries, only to find out that they have supernatural powers. These characters offer a wide range of relationships, and are inclined to self-destruction. Of course, they fear what other people might say, and fear not knowing exactly what they could do with their powers. The show offers a life drama that everyone could easily relate to, plus a twist of extraordinary powers. In season one of this series, they gave us an introduction of how these special people become connected by their unique and special abilities. It gave us an overview of these characters and their unique abilities, and how others try to manipulate these powers in a bad way.
Season two is still on and is focused on introducing new sets of characters, also with unique abilities as well. Many people all over the world have been constantly raving about this series, proving its success and good ratings. With each episode, they consistently show us different stories of different people with only one goal: to save the world.
A New Music of the Orient: a Touch of the West and a Dash of the Divine
A new musical fusion has arisen in New York and it's not the kind you can catch for ten dollars at a club in the West Village. For the many thousands of Chinese immigrants trying to stay afloat in a new world and for those westerners who have always wanted to understand the Chinese but have shied away for lack of a way in--for anyone who has wondered where the two civilizations connect, the answer may lie not in words, but in music.
Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor. Now, as one of the lead composers for New Tang Dynasty Television's Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound--based on ancient Chinese folk and religious music, but going beyond either of them.
“Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a ‘live note,’” she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.
But the melodies are far from random. Lisa’s music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.
An example of this is the piece she wrote for the dance “A Dunhuang Dream.” The dance is set against a backdrop of thousands of caves carved into the sides of cliffs as they are in the Moago Grottoes in the Dunhuang region of China. Seated at the mouth of each cave is a Buddhist or Taoist deity. As the dancers emerge, one can hear from the orchestra pit the voices of the erhu (Chinese violin) and guzhen (zither), but these are soon joined by the more recognizable resonance of cello, bass, oboe, and brass. The result strikes the ear as achingly otherworldly and yet also solidly familiar.
In fact, the specific ya yue used in the score is the same as that found in the ancient pipa music written on scrolls that were discovered by archeologists in the actual Dunhuang caves years ago.
“I feel very deeply that music is a heavenly language, a divine language,” Lisa says. “It is able to uplift people’s hearts and minds. It is good for the soul.”
Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor. Now, as one of the lead composers for New Tang Dynasty Television's Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound--based on ancient Chinese folk and religious music, but going beyond either of them.
“Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a ‘live note,’” she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.
But the melodies are far from random. Lisa’s music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.
An example of this is the piece she wrote for the dance “A Dunhuang Dream.” The dance is set against a backdrop of thousands of caves carved into the sides of cliffs as they are in the Moago Grottoes in the Dunhuang region of China. Seated at the mouth of each cave is a Buddhist or Taoist deity. As the dancers emerge, one can hear from the orchestra pit the voices of the erhu (Chinese violin) and guzhen (zither), but these are soon joined by the more recognizable resonance of cello, bass, oboe, and brass. The result strikes the ear as achingly otherworldly and yet also solidly familiar.
In fact, the specific ya yue used in the score is the same as that found in the ancient pipa music written on scrolls that were discovered by archeologists in the actual Dunhuang caves years ago.
“I feel very deeply that music is a heavenly language, a divine language,” Lisa says. “It is able to uplift people’s hearts and minds. It is good for the soul.”
A Magician’s Oath
A magic trick is created to amuse and mesmerize an audience who comes to the show knowing that all the tricks are not real and have fun because they can’t figure out how the magic was done. You won’t see a magician exposing magic mainly because telling how a magic was done is to kill the thrill and fun in watching them.
Magicians wanting to join a group of other magicians are required to give an oath to that effect. Never tell anyone who is not a magician the reason behind a trick and to never show a trick to anyone when you haven’t fully mastered it.
Once you gave your oath as a magician, it is expected that you will live up to your promise. Once you tell somebody and the organization found out about it, you may find yourself not receiving new tricks or that no one is teaching you how another trick is done.
Note though that you can tell it to somebody who is really willing to learn on how to be a magician. In fact you can see instruction videos and detailed instructions on sale in many shops. This is to help budding magicians into starting their careers or hobbies. Some of the tricks included in these instruction videos are common tricks and very easy to learn.
Some magicians also tell their tricks to misdirect others and help them appreciate a new trick that they have done. Old tricks seem to bore adult audiences that they tend to ‘bungle up’ the old tricks in preparation for their new tricks which proves more astonishing.
Magic tricks, once shown how they are done, may be posed with risk of becoming stale. Sometimes it is because you are disappointed at how easy it actually is or maybe because you found out that the trick requires a lot of props to accomplish. This is the reason no magician in his right mind will tell an audience how a trick is done. A magic told is a magic lost. Secrecy is the key and the magic is in keeping those secrets within you.
Magic is a living art, new illusions are propping up and new ways are introduced. Yes, you will see magicians telling their tricks but true magicians will always find their way around it. They will devise new illusions from old illusions and they will get more creative in how they show those illusions.
Magicians wanting to join a group of other magicians are required to give an oath to that effect. Never tell anyone who is not a magician the reason behind a trick and to never show a trick to anyone when you haven’t fully mastered it.
Once you gave your oath as a magician, it is expected that you will live up to your promise. Once you tell somebody and the organization found out about it, you may find yourself not receiving new tricks or that no one is teaching you how another trick is done.
Note though that you can tell it to somebody who is really willing to learn on how to be a magician. In fact you can see instruction videos and detailed instructions on sale in many shops. This is to help budding magicians into starting their careers or hobbies. Some of the tricks included in these instruction videos are common tricks and very easy to learn.
Some magicians also tell their tricks to misdirect others and help them appreciate a new trick that they have done. Old tricks seem to bore adult audiences that they tend to ‘bungle up’ the old tricks in preparation for their new tricks which proves more astonishing.
Magic tricks, once shown how they are done, may be posed with risk of becoming stale. Sometimes it is because you are disappointed at how easy it actually is or maybe because you found out that the trick requires a lot of props to accomplish. This is the reason no magician in his right mind will tell an audience how a trick is done. A magic told is a magic lost. Secrecy is the key and the magic is in keeping those secrets within you.
Magic is a living art, new illusions are propping up and new ways are introduced. Yes, you will see magicians telling their tricks but true magicians will always find their way around it. They will devise new illusions from old illusions and they will get more creative in how they show those illusions.
A Look on “Trainspotting”
Heroin is among the most potent or “hardest” drugs that an addict could use or take. It is a powerful opiate pain killer that produces euphoria and blissful passiveness. Long-term heroin addiction is also associated with difficult withdrawal symptoms and separation anxiety. Heroin is taken through injected doses, smoking, or by sniffing.
“Trainspotting” is a very interesting movie about the effects and dangers of heroin abuse. The 1996 movie based on a novel was directed by Danny Boyle and starred in by Ewan McGregor. The movie depicts the desperate lives of the heroin addicts who finance their drug habit through shoplifting and getting money from their parents. The movie also shows the “rollercoaster” life of heroin addicts who repeatedly swear to end their addiction only to find themselves again at the mercy of the local drug dealer.
Aside from the characters who are “hooked” on heroin, the film also shows the difficulties of other characters named Tommy and Begbie who do not take drugs but still lead troubled lives. Tommy is more fond of football and girls, while Begbie is a violent drunkard.
In one scene, the group of friends again engage in a heroin “session,” this time, with a female friend. As the group drift away from “reality” due to the psychotropic effects of the narcotic, they also lose all sense of responsibility for their actions. After the effects of the “hit” wear off, they were shocked to find the baby dead and rotting in her crib. The heroin addicts were so “out of touch” that they eventually neglected to feed and care for the baby. Naturally, the mother of the baby suffered from extreme separation anxiety and grief after losing the baby. The death of the baby was an eye-opener for the group of friends and made them consider quitting their addiction.
Renton, the character portrayed by Ewan McGregor, tried so hard to “get clean” and leave behind his friends and his heroin addiction. Unfortunately, he got an overdose during his self-proclaimed “one last hit” of heroin. After the overdose incident, he was forced by his parents to quit heroin, “cold turkey.” Renton was locked up at home and suffered severe withdrawal symptoms. He again experience separation anxiety since he was forcibly separated from this heroin-addicted gang. In numerous moments of hallucination, he was bothered by depressive thoughts, guilt, and shame. Specifically, he was very troubled by the death of the baby during one of their heroin sessions. As a means to start a new life, he reluctantly agreed to making a heroin transaction with his friends. The profits from the sale of the illegal narcotic was supposed to be split among them. Instead, Renton was able to run away with most of the money. His friends spiraled down back to their heroin addiction. The film ends by showing how Renton finally gave up his friends and his addiction by moving to London. In the city, he sought to find a new life far away from his petty thievery and heroin-dependent lifestyle. In London, he wanted to make a fresh start and take the opportunity to “choose life.”
“Trainspotting” is a very interesting movie about the effects and dangers of heroin abuse. The 1996 movie based on a novel was directed by Danny Boyle and starred in by Ewan McGregor. The movie depicts the desperate lives of the heroin addicts who finance their drug habit through shoplifting and getting money from their parents. The movie also shows the “rollercoaster” life of heroin addicts who repeatedly swear to end their addiction only to find themselves again at the mercy of the local drug dealer.
Aside from the characters who are “hooked” on heroin, the film also shows the difficulties of other characters named Tommy and Begbie who do not take drugs but still lead troubled lives. Tommy is more fond of football and girls, while Begbie is a violent drunkard.
In one scene, the group of friends again engage in a heroin “session,” this time, with a female friend. As the group drift away from “reality” due to the psychotropic effects of the narcotic, they also lose all sense of responsibility for their actions. After the effects of the “hit” wear off, they were shocked to find the baby dead and rotting in her crib. The heroin addicts were so “out of touch” that they eventually neglected to feed and care for the baby. Naturally, the mother of the baby suffered from extreme separation anxiety and grief after losing the baby. The death of the baby was an eye-opener for the group of friends and made them consider quitting their addiction.
Renton, the character portrayed by Ewan McGregor, tried so hard to “get clean” and leave behind his friends and his heroin addiction. Unfortunately, he got an overdose during his self-proclaimed “one last hit” of heroin. After the overdose incident, he was forced by his parents to quit heroin, “cold turkey.” Renton was locked up at home and suffered severe withdrawal symptoms. He again experience separation anxiety since he was forcibly separated from this heroin-addicted gang. In numerous moments of hallucination, he was bothered by depressive thoughts, guilt, and shame. Specifically, he was very troubled by the death of the baby during one of their heroin sessions. As a means to start a new life, he reluctantly agreed to making a heroin transaction with his friends. The profits from the sale of the illegal narcotic was supposed to be split among them. Instead, Renton was able to run away with most of the money. His friends spiraled down back to their heroin addiction. The film ends by showing how Renton finally gave up his friends and his addiction by moving to London. In the city, he sought to find a new life far away from his petty thievery and heroin-dependent lifestyle. In London, he wanted to make a fresh start and take the opportunity to “choose life.”
A Look At The Crystal Bridges Museum of Art
Some critics might say Jasper Cropseys The Backwoods of America, part of the Crystal Bridges growing American Art Collection, is a symbolic icon for billionaire Alice Waltons passion for the arts.
Designed by world renowned architect Moshe Safdie, and funded by billionaire Alice Walton, the 50 million dollars that is just the cost of the facility and does not include the artworks Crystal Bridges Museum of American Art is scheduled to open in 2009, in Bentonville, Arkansas. It was two years ago this month that the daughter of Sam Walton, Founder of Wal-Mart, made the controversial announcement.
The museum will house a permanent collection of signature works from American artists along with galleries dedicated to regional art and artists including Native American art, but oddly enough, this monumental task is not making everyone happy.
The depth of the museum is indicated in a purchase from Christies Americas auction house in New York City in 2004 of Charles Wilson Peales portrait of George Washington for $6.1 million. This is causing some critics to puff up, believing that the art works are being snatched from their own backyard. No need to worry, collaborating with other institutions will be an important focus of Crystal Bridges, even before the museum opens, and they can also rest easy to know Bentonville does have an airport.
A number of the works from the Crystal Bridges permanent collection are already on loan at various museums throughout the United States including: The Hudson River School masterwork Kindred Spirits which was loaned to The National Gallery in Washington, D.C. for public viewing from 2005 - 2007. It is currently on loan to the Brooklyn Museums exhibition by the same name featuring the works of Asher B. Durand. The same exhibition will also travel to Washington D.C. and San Diego.
Thomas Eakins Portrait of Professor Benjamin H. Rand is currently on loan to the Philadelphia Museum of Art. Jasper Cropseys majestic depiction of early American frontier life, The Backwoods of America, is now featured in the American galleries of The Nelson-Atkins in Kansas City, and the most extensive surviving group of Colonial American portraiture, the Levy-Franks family paintings, is currently on loan at The Jewish Museum in New York City. Also, the distinctive painting George Washington (The Constable-Hamilton Portrait) by the American painter Gilbert Stuart is currently on view at the Museum of Fine Arts Houston.
While the puffers puff, others admire Waltons passion and dedication to the arts, and recognize the fact Crystal Bridges will be the premier American Art Collection, once it is in place. The collection is headed up by Bob Workman, formerly associated with the Amon Carter Museum in Fort Worth, Texas.
When completed, the museum complex will encompass approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. Walton is building this American Dream on 100 pristine, wooded acres her family owns in Bentonville.
Designed by world renowned architect Moshe Safdie, and funded by billionaire Alice Walton, the 50 million dollars that is just the cost of the facility and does not include the artworks Crystal Bridges Museum of American Art is scheduled to open in 2009, in Bentonville, Arkansas. It was two years ago this month that the daughter of Sam Walton, Founder of Wal-Mart, made the controversial announcement.
The museum will house a permanent collection of signature works from American artists along with galleries dedicated to regional art and artists including Native American art, but oddly enough, this monumental task is not making everyone happy.
The depth of the museum is indicated in a purchase from Christies Americas auction house in New York City in 2004 of Charles Wilson Peales portrait of George Washington for $6.1 million. This is causing some critics to puff up, believing that the art works are being snatched from their own backyard. No need to worry, collaborating with other institutions will be an important focus of Crystal Bridges, even before the museum opens, and they can also rest easy to know Bentonville does have an airport.
A number of the works from the Crystal Bridges permanent collection are already on loan at various museums throughout the United States including: The Hudson River School masterwork Kindred Spirits which was loaned to The National Gallery in Washington, D.C. for public viewing from 2005 - 2007. It is currently on loan to the Brooklyn Museums exhibition by the same name featuring the works of Asher B. Durand. The same exhibition will also travel to Washington D.C. and San Diego.
Thomas Eakins Portrait of Professor Benjamin H. Rand is currently on loan to the Philadelphia Museum of Art. Jasper Cropseys majestic depiction of early American frontier life, The Backwoods of America, is now featured in the American galleries of The Nelson-Atkins in Kansas City, and the most extensive surviving group of Colonial American portraiture, the Levy-Franks family paintings, is currently on loan at The Jewish Museum in New York City. Also, the distinctive painting George Washington (The Constable-Hamilton Portrait) by the American painter Gilbert Stuart is currently on view at the Museum of Fine Arts Houston.
While the puffers puff, others admire Waltons passion and dedication to the arts, and recognize the fact Crystal Bridges will be the premier American Art Collection, once it is in place. The collection is headed up by Bob Workman, formerly associated with the Amon Carter Museum in Fort Worth, Texas.
When completed, the museum complex will encompass approximately 100,000 square feet of gallery, library, meeting, and office space, a 250-seat indoor auditorium, areas for outdoor concerts and public events, gallery rooms suitable for large receptions, as well as sculpture gardens and walking trails. Walton is building this American Dream on 100 pristine, wooded acres her family owns in Bentonville.
A Glorious Feast of Traditional Chinese Dance
New Tang Dynasty Television’s Chinese New Year Spectacular offers a truly tantalizing variety of dance this year, featuring all-new dance troupes and drawing upon 5,000 years of history spanning a vast range of different folk traditions from Mongolia to Tibet to the Yunnan region of China.
Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.
Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because “over the last 100 years, much of China’s rich traditional culture has been destroyed. People have lost their roots,” Ms. Tsuai says. “Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are.”
Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China’s top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, “collaboration is a major part of the project.”
Although choreographers use traditional themes and styles, many dances actually combine the styles of both east and west, fusing ballet techniques with the expressiveness of classical Chinese dance. All the dancers train extensively in both. Ms. Tsuai says ballet helps the dancers develop the skill needed to execute the classical Chinese movements.
For Ms. Tsuai, what is unique about the Spectacular is not just the dances themselves or the dazzling costumes, it is how the dances affect the audience. For those few minutes that each piece is presented on the stage, she says viewers will feel they have entered a time and place governed by chivalry, loyalty, and honesty—a place where beauty and peace prevail. “We are not just showing people traditional Chinese culture; we are waking up the part of them that yearns for beauty and goodness,” said Ms. Tsuai.
This is what draws her back every year, sometimes as a choreographer, sometimes as a dance teacher. And, she says, this is what motivates the hundreds of dancers who give their lives over to the handful of days a year when the show comes to the stage.
“Art is the food of the soul,” said Ms. Tsuai. “If you see art that promotes peace and harmony, you will bring that home with you. That’s what’s important. In the past people lived as if they were in a divine realm. Daily life wasn’t necessarily religious but it was very spiritual. When art presents the beauty and positive side of human nature, it can positively influence people in how they relate to others in their daily lives.”
Ms. Tsuai is confident the audience will leave NTDTV’s Chinese New Year Spectacular feeling not only entertained but nourished and rejuvenated by this veritable feast for the soul.
Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.
Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because “over the last 100 years, much of China’s rich traditional culture has been destroyed. People have lost their roots,” Ms. Tsuai says. “Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are.”
Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China’s top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, “collaboration is a major part of the project.”
Although choreographers use traditional themes and styles, many dances actually combine the styles of both east and west, fusing ballet techniques with the expressiveness of classical Chinese dance. All the dancers train extensively in both. Ms. Tsuai says ballet helps the dancers develop the skill needed to execute the classical Chinese movements.
For Ms. Tsuai, what is unique about the Spectacular is not just the dances themselves or the dazzling costumes, it is how the dances affect the audience. For those few minutes that each piece is presented on the stage, she says viewers will feel they have entered a time and place governed by chivalry, loyalty, and honesty—a place where beauty and peace prevail. “We are not just showing people traditional Chinese culture; we are waking up the part of them that yearns for beauty and goodness,” said Ms. Tsuai.
This is what draws her back every year, sometimes as a choreographer, sometimes as a dance teacher. And, she says, this is what motivates the hundreds of dancers who give their lives over to the handful of days a year when the show comes to the stage.
“Art is the food of the soul,” said Ms. Tsuai. “If you see art that promotes peace and harmony, you will bring that home with you. That’s what’s important. In the past people lived as if they were in a divine realm. Daily life wasn’t necessarily religious but it was very spiritual. When art presents the beauty and positive side of human nature, it can positively influence people in how they relate to others in their daily lives.”
Ms. Tsuai is confident the audience will leave NTDTV’s Chinese New Year Spectacular feeling not only entertained but nourished and rejuvenated by this veritable feast for the soul.
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